Glitch, grain, chromatic, datamosh, pixel sort, bloom — every look grouped by feel and rendered live on your timeline. Pick a clip, dial it, apply.

Bitcrush, thermal, dither, emboss, acid. The texture pass that makes footage feel handled instead of exported.

Fourteen stocks with the grain, halation, bloom and vignette modelled separately — so CineStill blooms on your practicals the way it actually does.

The full ntsc-rs signal path — tracking wander, head switching, chroma loss, ringing. Not an overlay. The signal itself.

Drop in a reference frame and it builds a camera-aware LUT from its colour DNA, then applies it through Lumetri.

Fifteen camera profiles in, four delivery spaces out, with skin and neutral protection on the way through.

Point it at your rushes and every angle locks to the track, then it builds the cut against the beat grid. Non-destructive — your original edit is untouched.

Drop in media and it lands on the timeline in time — per beat, per section, or on a duration you set.